2014’s edition of the Chale Wote Street Art Festival came off a buzzing start, augmenting the fervour that accompanied the just ended Homowo Festival. The energy and excitement was infectious and even days after the 2-day festival, themed, “Death: An Eternal Journey Into Limitless Rebirth”, people still can’t get over it. The euphoria that accompanied the festival beautifully complemented its theme; the festival flames seemingly going out but instead of just dying down, continue burning, eagerly waiting a rekindling which, rest assured, will happen next year. Jamestown played host Accra’s creative community who brought their own to the tropes of beautiful “madness” to this year’s festival. To keep these superb and awesome participants enthralled, Accra [dot] Alt lined up an ensemble of creatives whose only agenda was to enthral the visiting public, sending them on a trans-dimensional journey of imagined spaces.
Adjo Kisser’s installation portrayed the cycle of gender imbalance and stereotypes in Ghana and the world at large. Drawing inspiration from global events that expose the blatant disregard for the female gender, Untitled (709) artistically brings to the fore, the continuous murder of the female identity. Not forgetting the impossible to miss, elaborate and overwhelming sack installation by Ibrahim Mahama, showing all the different shades and patches of life, beautifully strewn together in majestic stitches.