ART SPEAKS LOUDER IN THE STREETS OF ACCRA: #CHALEWOTE2014

Photography by GHANYOBI MANTEY , KOBE SUBRAMANIAM & ACCRA DOT ALT

Accra’s deepest history lies in James Town, the original port city leading to the
development of Ghana as a nation. James Town is a time capsule and a treasure
trove all at once. The place is filled with beautiful colonial architecture and
spirited boxing legends, a tumultuous history of the transatlantic slave trade and
and a people’s diehard spirit to remember who they are. Here a constellation of
families, cultural practices, and aquatic livelihoods persistently remix James
Town’s past, present and future. It is a place of endings and beginnings, of
ongoing deaths and rebirths.

IBRAHIM MAHAMA

SOCIAL REALITY

This installation covers a building with fabric made from coal sacks and wax print panels. This is a project of relational aesthetics. The architecture is seen as an extension of the body irrespective of it’s ” true relationship” with the site and its history.

CHALE WOTE 2014: COME TO THE CENTER OF THE WORLD

Photography by MANTSE ARYEEQUAYE 

As we make ready for endless crowds to “Come to the Center of the World” on August 23 & 24, we give you more images of the artists who will jamming with us at the CHALE WOTE Street Art Festival 2014.

Strolling Goats in Accra with Chale Wote 2014, DJ Steloo

Selorm Jay + Yoyo Tinz are bringing Gbobalor Hiphop to Chale Wote 2014

The ACCRA Theatre WorkSHOP: African x Avant-Garde

Story by TAYLOR EDELHART | Photography by SELORM JAY

Elisabeth Sutherland is trying to figure out how uncomfortable to make her next piece.

“There’s going to be a giant caterpillar and a giant tree monster,” she says with a smile, referring to the large-scale puppets, a trademark of hers, that she’s planning on incorporating into the piece. “I’m going to ask the people who audition for it to evolve from a single-celled organism, and if they can’t do that, if they can’t get down on the ground and improvise, they can’t be in the show.”