Blitz the Ambassador was in Accra to set off his world tour for his third studio album #AfropolitanDreams. During the trip, Blitz took time to scout locations and talent for his next film project #BUKOM. Bukom is located in James Town Accra, plus it the boxing capital of Africa, having produced world champs like Azumah Nelson, Ike Quartey, Joshua Clottey amongst many. Blitz also shot a music video with ACCRA DOT ALT for his song “Make You No Forget” which features Seun Kuti. Here are some photos from the first day of the shoot, more coming.
Blitz The Ambassador is heading to Accra to launch is new album Afropolitan Dreams. On thursday 23rd January we’ll be hosting Blitz at our first Talk Party for 2014 – he’ll walk us through the album before the concert at Alliance Francaise on saturday 25th. See you at the Republic. The Talk Party is free. Advance tickets to the concert are 15ghc.
by Katharine M. Ortiz + Sionne Neely
Nowadays, Ghanaian music is a mixed bag. That’s actually a great thing. The diversity and complexity of this music – which is not new and has always been here – is bubbling more and more on the surface. As testament, here are 6 NEW VIDEOS by fresh artists we dig. In these audiovisual experimentations [in no particular order], you’ll experience different realities reflecting what it means to be Ghanaian.
These are some of the voices of our pop culture. Hear and see them now.
Nothing like a new year to get you easing on down memory lane. While tripping through our archive this morning, we came across these behind-the-scenes shots of Blitz the Ambassador and Les Nubians rehearsing before that killer live homecoming show at Alliance Française back in October 2011. The concert also marked The Ambassador’s first time performing in Ghana in 10 years.
In retrospect, this was the joint that revealed the pulse of the Accra indie music scene in all it’s raw and vibrant glory. We ain’t been the same since.
Brother Blitz, the folks wanna know – when are we on again?
Photos by our Co-Director – Mantse Aryeequaye – for ACCRA [dot] ALT.
by ROBIN RISKIN for ACCRA [dot] ALT RADIO
The Brooklyn Museum was buzzing on Thursday night, May 24th. Creatives from all over New York City were decked out in their flyest Afro-prints and chunky glasses, gathered for the screening of The Triptych, the latest documentary film series by Terence Nance, presented by Afro-Punk Pictures and the Weeksville Heritage Center.
You may know Nance, Triptych’s Director, and Shawn Peters, Director of Photography, from their collaboration with Blitz the Ambassador on the short film Native Sun (2011), a 20-minute audio-visual treat shot in Ghana. The two also directed the recent Sundance premiere, An Oversimplification of Her Beauty. The Triptych offers a bit more narrative than these abstract delights, but is equally wacky, magical, and visually delicious.
The Triptych highlights the work of artists Sanford Biggers, Wangechi Mutu, and Barron Claiborne. The twenty-minute assemblages of interviews, artworks, photographs, text, and abstraction blur the line between life and art, reality and representation. The three profiles, works of art in themselves, are clever, challenging, and laugh-out-loud funny.
The conversations invite us to explore the experiences and observations behind Biggers’s subversive performance and installation pieces, Mutu’s mythical collage creatures, and Claiborne’s beautiful and wry photographs.
The shorts are the first in what promises to be a vibrant and significant series. Nance and Claiborne, Co-Director, conceived the project together, expanded to include Mutu and Biggers, and will continue to chronicle the work, lives, and practices of some of the freshest visual artists today.
After the films closed, the wit and humor continued through a Q&A led by Ghanaian journalist and writer Esther Armah. The group of four friends could not stop laughing, even while engaging complex racial and socio-historical theory. They touched upon commonalities in the way they embrace grayness and reject binaries of black and white. They addressed the strong family influences that have pushed them in their work, and the challenges they still face in the art market despite their success. Claiborne said that while artists like Damien Hirst have mastered how to monetize their work, many of those who have been labeled as Black artists are still figuring it out. As the audience geared up for applause, Claiborne winked, “Now everyone should pay me $100 on their way out, meet you in the lobby.”
As if the three gorgeous films and a brilliant Q&A were not enough, the after-party did not disappoint. The artists and filmmakers stuck around to chat with audience-members, while Eclectic Method projected rap video remixes against the glass entrance. Claiborne kept his camera going the whole night, making live art portraits in front of his signature bright print screen.
Good thing Brooklyn’s finest photographers were out to capture the fabulous evening. It was one dope night of art, film, and music…and should be just the first of many.