Story by TAYLOR EDELHART | Photography by SELORM JAY
Elisabeth Sutherland is trying to figure out how uncomfortable to make her next piece.
“There’s going to be a giant caterpillar and a giant tree monster,” she says with a smile, referring to the large-scale puppets, a trademark of hers, that she’s planning on incorporating into the piece. “I’m going to ask the people who audition for it to evolve from a single-celled organism, and if they can’t do that, if they can’t get down on the ground and improvise, they can’t be in the show.” Continue reading