Accra’s literature collectives are running workshops throughout this month to November. Get involved.
We promised you a Strolling Goats In Accra edition with some of the most amazing creators in Accra. One of the highlights of this year’s festival is the addition of a street motor biking team in James Town. The Accra House Music station manned by Dj Steloo is certainly one to look out for. Enjoy
Photos by Mantse Aryeequaye
Photo by Mantse Aryeequaye
We happy to announce another season of STROLLING GOATS IN ACCRA with our collaborators for this year’s Chale Wote Street Art Festival. In the coming days we will be publishing a new line up of gorgeous photos of the participating artists. Watch this space.
Story by MOLLY SULLIVAN | Photography by SELORM JAY
As photography in Ghana continues to gain recognition, Ofoe Amegavie is definitely one to watch. At 26 years old, Ofoe’s work has quickly gained an international audience with folks across the continent, Europe and North America, checking for his latest additions. The photographer is still finding his voice and evolving into his craft, but this freedom is also part of his aesthetic. Ofoe shoots in a state of unlimited inspiration, working with what currently intrigues him and avoiding what he finds repetitive and tired. With projects like “Studio of Colors”, an ongoing photo series dealing with diverse representations of African print, he aims to show subjects in a fresh way, distinct from how “Africa-ness” is commercially marketed. Ofoe instantly knows what he does not like. This opens the portal towards a constant, adventurous search for what might break the mold.This story was first published on Africa Is A Country READ MORE HERE Continue reading
Five years ago when STEFANIA MANFREDA and her business partner, Alon Hassid, realized there was a building frenzy taking place in Accra, they decided to turn their designer T-shirt line into a concept store. This birthed the Lokko’08 store, where contemporary Ghanaian art and lifestyles are articulated.
The Lokko’08, located on Lokko Street in Osu, is a hub of coolness showcasing emerging designs in photography, fashion, music, and technology. The urban shop is quickly and quietly playing its part in the creative renaissance sweeping across the city.
Lokko’08 is gaining popularity not only for its support for young artists but also for its one-of-a-kind offerings. The store stands out as one of the few places where you can cop fresh and different threads in the city. For example, Lokko’08 exhibits and sells the slick works of street photographer, Tacitus Nana-Yabani, chunky Adinkra necklaces from Clove Clothing, beads and bracelets from the ever-popular Heel the World [HTW], hip hop artist M.anifest’s latest Apae album, as well as music by Nigerian Afro-fusion singer, Villy. In addition to all this, Stefania is cooking plans to make Lokko’08 a serious, weekend joint where people can chill after work on Fridays, jam up on Saturdays or wind down on Sundays.
I visited Stefania at Lokko’08 and we talked for a bit about the vision for the concept store, what it’s like being an entrepreneur in Ghana, and how you, too, can rock the Lokko look.
New York based Ghanaian actress MaameYaa Boafo was in Accra a couple of months ago during the shooting of the web series, An African City. Mantse Aryeequaye took MaameYaa on a walk through the back roads of Dzorwulu, a suburb of Accra, for some photos capturing that “fly Ghana girl back home” vibe. Nana Osei Kwadwo chatted with her later on about An African City.
The first time I saw MaameYaa Boafo in Nicole Amarteifio’s An African City, I thought she was beautiful, fierce and versatile. She stars as one of five women characters, in the webisode, that returns to live in Accra after years of studying and working abroad. Debuting less than a couple months ago, the series has quickly gained a popular online following with major media shout-outs hailing via Ebony Magazine, BBC News, BET and NPR.
With comparisons being made to Sex in the City, the webisode is growing its audience by the day and captivating folks with African fashion, fly natural hairstyles and “awkward African girl” situations as the women support one another in acclimating to life in Ghana again.
MaameYaa has lived most of her life traveling around the globe but currently calls New York City home. She’s now working on a new project with renowned African American novelist and playwright, Walter Mosley, as well as a few new films.
Curious to know more about MaameYaa, I caught up with her recently to chat about acting, what it means to be Ghanaian, and her role in An African City. Continue reading
As told to Molly Sullivan | Photography by Mantse Aryeequaye
Nigerian Afro-fusion singer, Villy, describes his music as limitless – a free expression that breaks form and expectation. Inspired by a variety of artists, he blurs the lines between genres to create a distinct style that does not adhere to rules or guidelines. By combining rock, soul, hip hop, jazz and a consistent African influence, Villy has created a new sound that is accessible to all but firmly roots African music on the map. Accra got a proper feel for his music at last year’s IND!E FUSE.
Now Villy and his band (THE XTREME VOLUMES) have chosen to uproot and continue the music mission in Ghana, and they are not wasting any time. With a major concert coming up in a few weeks, we were happy to talk with Villy about Afro-fusion music, Nigeria’s wahala, and his move to Ghana. Continue reading
Two years ago when visual artist Attukwei Clottey decided to showcase work in his hometown, La, he knew he had to get an enthusiastic group of young folks to buy into the idea. Attukwei wanted the people of La to understand the power of art and how it could transform their community.
Between art residencies in Austria and Netherlands, Attukwei took action and assembled a gathering of characters under the pseudonym “GoLokal.” He adopted this name because of the indigenous style of this artist crew – visually provoking, eclectic, cool yet vibrant. GoLokal is comprised of ten members in total [6 guys, 4 girls] who are quite passionate about their newfound mission.
Since 2012, GoLokal has gained an ever-expanding audience with major performance at art events across the city. In 2013, the crew arrested the attention of attendees’ at ACCRA [dot] ALT’s CHALE WOTE Street Art Festival, literally, taking over the street with improve performances. They even led a grand parade down High Street with the Flat Land Boys bikers and the 25-member Winneba Masquerade. Last month, we jammed up with GoLokal at the 2nd annual FashionistaGH Shopping Festival at Trade Fair. With collage costumes, bright yellow jerry cans, slick face paint and killer dance moves, GoLokal had crowds snapping smartphone pics all afternoon. Word on the street is the people can’t get enough of the La mobile art shows.
No matter how often we work with Attukwei and the rest of the GoLokal crew, we are consistently fascinated by their fresh performance installations. Last week, I visited Attukwei at his art studio to chat on how GoLokal began, what they’re all about and what the art crew’s got going next. Continue reading
A year after her first Skype Talk Party Series experience, TAWIAH’s much anticipated return to Accra proved to be well worth the wait.
An intimate evening with the Ghanaian British singer/songwriter began with an open Q&A, where questions sprung out about her creative process and the musicians that influenced her at ages 8, 16, 24, and now (her list included gospel, Wu-tang Clan, Erykah Badu, Radiohead, Me’shell Ndegeocello, the Spice Girls, and her own stuff)
Accompanied by Tawiah’s commentary, we screened music videos from FREEdom DROP, her illmatic mixtape released last March. Videos for “TearDROP”, “FACes”, and “SEAlion”– all teased the crowd into stunned silence. Tawiah shared with us the inspiration for these songs, the vision behind the videos, and amusing anecdotes from her creation process. She discussed the decision to set the music video for “FACes” in Accra, the choice to deviate from the standard song structure with “SEAlion”, and her inability to sink during the filming of “TearDROP”.
The evening concluded with a chillingly beautiful, live performance. Tawiah, poised for utter destruction, propped up her guitar on a knee, a loop station beneath her feet. There was a noticeable shift in the room when Tawiah began to sing – a collective leaning in of bodies gravitating towards the perfect plethora of sound making. The set included two new songs from a forthcoming album this year. Upon much pleading from the audience, Tawiah consented to perform again, this time with a slow jam remix of Soul for Real’s ’95 classic, “Candy Rain”.
Luckily, amidst the praise and congratulations from fans that followed, we were able to pull Tawiah aside for some final questions about the reception to FREEdom DROP, her two week visit in Ghana, and what to expect next from the musician.
Elisabeth Sutherland is trying to figure out how uncomfortable to make her next piece.
“There’s going to be a giant caterpillar and a giant tree monster,” she says with a smile, referring to the large-scale puppets, a trademark of hers, that she’s planning on incorporating into the piece. “I’m going to ask the people who audition for it to evolve from a single-celled organism, and if they can’t do that, if they can’t get down on the ground and improvise, they can’t be in the show.” Continue reading