KING AYISOBA’s Kologo Music | photo by Sionne Neely
The first time I heard KING AYISOBA’s sound, I was hypnotized. It was at ADA’s Masquerade Jam last month. With only his kologo [a banjo-like instrument] and a raw oscillating voice, King Ayisoba commanded the stage and had the audience jumping and singing with vim.
Watching him perform live takes the northern musician’s mystic prowess to a whole new level. The King of Kologo music has been making waves on the Ghana and international music scene for close to a decade, bringing traditional flavor to the forefront of pop culture. Always cool and collected, King Ayisoba distinct, electric voice carries a timeless message backed by music that’s too good to shake down. Continue reading →
Hey Fam! We are back tomorrow, Friday 31st MAY, 6-9pm at Passions Premium Restaurant in Osu Ring Way [two streets behind Country Kitchen] with an exciting session on creativity, sampling and copyright.
MARIE-Ange BORDAS: “I was too young” | photo courtesy of Addis Foto Fest 2012
AIDA MULUNEH is definitely a force to be reckoned with. The photographer and filmmaker heads up ADDIS FOTO FEST – a biannual, international photography festival in Addis Ababa that brings a diverse cadre of African photographers together to showcase their work [the third installation is Dec 2014]. In direct response to how Ethiopia has been popularly imagined by western development + media agencies since the 1980s, Aida is building an appreciation for photography among the Ethiopian public by re-working how photography takes shape in the country. The festival develops the capacity of emerging Ethiopian photographers to tell their own compelling stories.
I caught up with my fellow Howard U Film Dept. comrade on a recent trip to Accra. Here we rap about Addis Foto Fest and how emerging Ethiopian photographers are in a unique position to transform the country’s visual future.
Street food is a way of life in Accra. In fact, it’s the only fast food you’ll find in town. Easy and convenient, affordable and ready to eat, street food for many Accra city people is the way to do it.
If you’re ever lucky enough to meet Ghana’s very own FOKN BOIS aka Foes of Kwame Nkrumah, you’d immediately know one thing: they are both a bit bizarre. Not the deranged, repulsive kind of bizarre. More like a magnetic and high-energy hypnotic that comes from the MCs’ fearless humor.
Motivated by an ambition to tell his own story – a Kumasi story to the world – KO-JO CUEis one of the few Ghanaian rappers who treats lyricism like a fine art. Three months after the release of his seventh mixtape – Before We Shine II [The Cremation of Care] – and we still have the MC on weekly replay. Kumasi isn’t known for being a rap haven but despite this Ko-jo Cue’s been able to win over both obsessive and occasional hip hop lovers. He just spits those fresh rhymes you can’t get enough of.
This is Part Two of the interview with JANE ODARTEY, creator of MAWUSI, an eclectic collection of abstract wearable Ghanaian art. Jane is also a photographer, writer and model. Jane talks to ACCRA [dot] ALT about finding bliss thru crafting, building community far from home in Queens NY and how using Ghanaian prints proves to be solid as a rock.